Showing posts with label Janette Hanrahan. Show all posts
Showing posts with label Janette Hanrahan. Show all posts

Tuesday, July 2, 2013

Janette Hanrahan PIO issue 298 July 2010


  1. What's this illustration for?  
This illustration was for a charity exhibition to support The Bone Marrow Institute fundraiser for children & adults with leukaemia & other cancers.
  1. Do you have to wait for a flash of inspiration - how do you start?
No, I don't wait for a flash of inspiration, but I am always thinking of new ideas (even in the middle of the night ) & sometimes if I feel emotionally moved by an event, then I will express it in an artwork. In 2003, my linocut print `The Faceless Women of Afghanistan' was a finalist in The Blake Prize & selected to tour nationally.
  1. How did you get your start as an illustrator?
I have been an artist for over 30 years, exhibiting in Australia & overseas & have had several solo exhibitions & won awards. However, in 1998, I was asked to do the cover for a Poetry & Prose book & I thoroughly enjoyed the challenge & felt that my work was suited to the book form. Having always loved children's books & their illustrations, I look forward to the opportunity to work in this area.
  1. Who or what has influenced your work? 
My work has been influenced by my environment, living on a farm in regional NSW & by several outback camping trips to the Northern Territory. The techniques of Japanese woodcut printmakers, such as Shiko Munakata, continue to inspire me. I have an eclectic taste for all art forms, appreciating creativity, texture & form. I never stop learning !
  1. What's your favourite media for creating pictures?
My favourite media for creating pictures is linocut or woodblock printmaking, but I also love watercolour & gouache.
  1. Do you experience illustrator's block - if so, what do you do about it?
I only experience illustrator's block if I am not in the right frame of mind or if too tired. If so, I take a break, visit a gallery or bookshop & switch off & try to think laterally.
  1. What's the worst thing about being a freelancer?
The worst thing about being a freelancer is having the ideas & enthusiasm & waiting to be discovered.
  1. And the best?
The best is the solitude, being able to absorb myself in creative pursuit - pure bliss.
  1. What are you working on at the moment?
I am working on several woodcuts for a group exhibition in Japan in 2010.
  1. Where can we see more of your work?