Showing posts with label PASS IT ON issue 286. Show all posts
Showing posts with label PASS IT ON issue 286. Show all posts

Tuesday, January 29, 2013

Louise Pfanner PIO issue 286 April 2010

What’s this illustration for?
                                          
This was in my first book, Louise Builds a House, published over twenty years ago. The artwork was about to go to the printers, but my editor decided to change the original pic, so I did this in under an hour, and couriered it to her. The text for this page says "and a drawbridge to draw fish on". I've always liked the play on words, although the drawing and painting is very simplistic I think it works in this book.  

Do you have to wait for a flash of inspiration - how do you start? 
     
I think of things for years and years, and I write them down in notebooks. Although I have the ideas for two books when I was in emergency wards with acute asthma (which is weird now I think of it.)


How did you get your start as an illustrator?   
                                                                                                       
I studied Graphic Design in the hope of becoming an illustrator. After I graduated I did children's fabric design, and I also did magazine illustrations. The idea for my first book was from a project I did in Graphic Design- designing the perfect art school.

Who or what has influenced your work?

I have always read a lot. I think reading is the key to being an illustrator- one needs to really extend the text, not just decorate it. I like the work of Herge, and Jean de Brunhoff, Pat Hutchins and Janet Ahlberg, to name just a few. 

What's your favourite media for creating pictures? 

Black ink outlines (I still use Rapidographs) and watercolour paint (Old Holland is my favourite)

Do you experience illustrator's block - if so, what do you do about it?

No, I think it's always hard work.

What's the worst thing about being a freelancer?

Being alone.

And the best?

Being alone

What are you working on at the moment?

Not a book at the moment, but several commissions and a commercial project.

Where can we see more of your work?